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This ebook is the fruition of labor from participants to the paintings and Cartography: Cartography and paintings symposium held in Vienna in February 2008. This assembly introduced jointly cartographers who have been drawn to the layout and aesthetics components of cartography and artists who use maps because the foundation for his or her paintings or who comprise position and house of their expressions. the result of bringing jointly those like minds culminated in an excellent occasion, spanning 3 evenings and days within the Austrian capital. Papers, exhi- tions and installations supplied a discussion board for appreciating the endeavors of artists and cartographers and their representations of geography. in addition to indulging in an expansive and expressive celebration attendees have been capable of re? ect on their lonesome paintings and talk about related parts in every one other’s paintings. It additionally allowed cartographers and artists to debate the opportunity of collaboration in destiny learn and improvement. To recognize the signi? cance of this occasion, paper authors have been invited to additional boost their paintings and give a contribution chapters to this ebook. We think that this ebook marks either a signi? cant party in Vienna and a place to begin for destiny collabo- tive efforts among artists and cartographers. The editors want to recognize the paintings of Manuela Schmidt and Felix Ortag, who undertook the duty of the layout and format of the chapters.

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Map variety category . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred forty five 146 147 153 xvi desk of Contents 14 the area snapshot in Maps – From the previous a long time to Mercator . . . . . . a hundred and fifty five Mirjanka Lechthaler 14. 1 14. 2 14. three 14. four creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A stroll throughout the heritage of Cartographic Representations . . . . Gerhard Mercator – creative Cartographer . . . . . . . . . . . . . . . . . . Concluding strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and fifty five 156 166 173 part IV: built-in Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred seventy five 15 Mapping Literature: in the direction of a Geography of Fiction . . . . . . . . . . . . 177 Barbara Piatti, Hans Rudolf Bär, Anne-Kathrin Reuschel, Lorenz Hurni and William Cartwright 15. 1 15. 2 15. three 15. four 15. five creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cartography and Literary reviews – a gathering of Disciplines . . . . obscure Geography: Mapping ideas for unmarried Texts . . . . . . The Quantitative process: A Database for Fictional areas . . . . . Outlook: A Prototype of a Literary Atlas of Europe . . . . . . . . . . . . 177 178 183 189 191 sixteen difficult the electronic Cartographic Continuity approach: classes from Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Sébastien Caquard and Benjamin Wright sixteen. 1 sixteen. 2 sixteen. three sixteen. four advent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technological Maps and the Continuity process . . . . . . . . . . . . . . . From Continuity to Reflexivity: The Cinematographic strategy . views: towards a Cinematic Reflexivity in Cartography . . . . 193 195 199 202 17 On Written Language in artistic endeavors and Cartography . . . . . . . . . . 207 André Skupin and Marinta Skupin 17. 1 17. 2 17. three 17. four advent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . textual content in Cartography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . textual content in modern Visualisation . . . . . . . . . . . . . . . . . . . . . . . . textual content in paintings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 208 213 216 18 Imagining Europe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 Christian Spanring and Emanuel Andel 18. 1 18. 2 18. three 18. four Projection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . interplay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cartographic features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technical features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 224 225 226 Table of Contents xvii part V: Non-Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227 19 Dots, traces, parts and phrases: Mapping Literature and Narration (With a few feedback on Kate Chopin’s “The Awakening”) . . . . . . . . 229 Armin von Ungern-Sternberg 19. 1 19. 2 19. three 19. four 19. five 19. 6 Maps and Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Spatial elements of Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . positive aspects of Literary area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . capabilities of Literary area . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Analyses of Literary house . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Worlds of Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229 234 237 239 243 248 20 Robert Smithson’s Pursuit: Mapping a few lines of Remnants .

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