By Daniel Robbins
February 10 to March eleven, 1989
James Goodman Gallery, NYC, USA
quality scans of: Le Fauconnier, Gleizes, Kupka, Marcoussis, Metzinger, Valmier Villon
Essay through famous paintings historian Daniel Robbins
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Extra info for Cubism : Le Fauconnier, Gleizes, Kupka, Marcoussis, Metzinger, Valmier Villon
Requested Daniel Robbins, Baker Professor 1 Union collage and writer of experiences on Gleizes, Villon, Metand different Cubists, if he may write notes for this The James Goodman Gallery is thankful to Professor Robbins for of the humanities at zinger, Lhote exhibition. the textual content that follows. James Neil Goodman Le Fauconnier and Cubism LE FAUCONNIER HENRI virtually fifty whom less sis, is the primary determine during this exhibition. years after his dying he is still a shadowy determine, approximately Kupka, Villon identified than the artists Gleizes. Metzinger, Marcousand Valmier, a few of whose works shape a suitable is context during which to ascertain the lengthy misplaced Mountaineers Attacked via Bears, one of many significant photographs of the Salon d'Automne of 1912. In so much histories of glossy mous Abundance of 1910, a seum. The Hague. regardless of paintings Le Fauconnier the truth that this reproduced and mentioned, within the absence of a ficult to situate cious artists in flow is represented along with his fa- Gemeentemupainting has been a lot photo within the choice of the serious learn it is still dif- Le Fauconnier, as soon as extensively considered as probably the most audaall Many considered him because the originator of a brand new He was once attacked because the chief of the Cubists by means of Vin- Europe. in portray. article within the inventive per month, II, Prague, 1913-1914 (pp now not astonishing that Kramar must have reviewed Le Faucon- cene Kramar in an 115-130). it truly is nier on the top of his status, exhibition circulated Hagen. What and a now is all and basking astonishing is that Kramar, one remarkable collector of Picassos, within the within the gentle of a retrospective over valuable Europe by means of the Folkwang Museum of of Kahnweiler s top consumers Braques and Derains (the assortment is Narodni Gallery in Prague) must have pointed out Le Fauconnier whilst he didn't deal with Le Fauconnier. The retrospective was once at Goltz Gallery in Munich early in 1913 and coincided with because the chief of the Cubists a Picasso exhibition at the partitions at Thanhauser's gallery. Kramar loved the portray of Picasso and contrasted it with the paintings of Le Fauconnier and these whom he known as "the self styled revolutionaries" who, in his view, misin- and had synthetic the entire a number of "isms," of which Cubism was once purely the latest. Kramar wrote his article lengthy earlier than Kahnweiler released his means of Cubism booklet (1920) and prior to ApoUiterpreted Cezanne, naire's Cubist Painters (March, 1913). hence, unswerving purchaser that didn't observe that the epithet "Cubism," used he was once, he to explain the work of Le Fauconnier, Gleizes, Metzinger, Leger and Delaunay, used to be going to be authorised via Kahnweiler, and already have been enthusiastically recommended through the poet. The comparability was once, in truth, of Picasso and Le Fauconnier which turns out so distant at the present time commonplace within the years ahead of 1914. Oneof the extra considerate debts linking the 2 painters was once by means of the English Drey who reviewed the fall Salon critic, in Paris for the magazine through John Middleton Murray and Katherine Mansefield (vol.