The New York Times bestselling writer of A historical past of the realm in a hundred items brings the realm of Shakespeare and the Tudor period of Elizabeth I into focus
We think we all know Shakespeare’s characters. examine Hamlet, trapped in indecision, or Macbeth’s cruel and finally self-destructive ambition, or the Machiavellian upward thrust and brief reign of Richard III. they're so very important, so alive and actual that we will be able to see features of ourselves in them. yet their global used to be instantly generic and not anything like our own.
In this tremendous paintings of ancient reconstruction Neil MacGregor and his crew on the British Museum, operating jointly in a landmark collaboration with the Royal Shakespeare corporation and the BBC, carry us twenty gadgets that seize the essence of Shakespeare’s universe. an ideal supplement to A background of the realm in a hundred Objects, MacGregor’s landmark New York Times bestseller, Shakespeare’s stressed World highlights a turning element in human history.
This outstanding ebook, illustrated all through with a couple of hundred shiny colour pictures, invitations you to go back and forth again in background and to the touch, odor, and consider what lifestyles was once like at that pivotal second, whilst humankind leaped into the fashionable age. This was once a thrilling time whilst discoveries in technological know-how and know-how altered the parameters of the identified global. Sir Francis Drake’s circumnavigation map permits us to visualize the age of exploration from the viewpoint of 1 of its such a lot formidable navigators. A bishop’s cup captures the main sacred and divisive act in Christendom.
With A background of the area in a hundred Objects, MacGregor pioneered a brand new approach of telling background via artifacts. Now he trains his eye in the direction of domestic, on a subject matter that has mesmerized him given that formative years, and we could us see Shakespeare and his global in an entire new mild.
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Additional info for Shakespeare's Restless World: A Portrait of an Era in Twenty Objects
H. 1. (23. ) bankruptcy EIGHTEEN London turns into Rome item: Print from The Arches of Triumph, Stephen Harrison, London 1604 place: British Museum Londinium Dimensions: H: 26. 8cm / W: 23. 1cm stock No. : 1880, 1113. 5777 bankruptcy NINETEEN The Theatres of Cruelty item: eye relic fastened in silver position: Stonyhurst collage Dimensions: H: 6. 2cm / W: four. 6cm / D: 1. 7cm stock No. : N/A bankruptcy TWENTY Shakespeare is going international item: Robben Island Bible Owned by way of Sonny Venkatrathnam Dimensions: H: 21. 5cm / W: 15cm / D: five. 5cm stock No. : N/A Bibliography normal Melissa D. Aaron, international economics: a historical past of the theatre company, the Chamberlain’s males/ King’s males and their performs 1599–1642 (Newark, 2005). Pascale Aebischer, Jacobean drama: a reader’s consultant to crucial feedback (Basingstoke, 2012). John H. Astington, Actors and performing in Shakespeare’s time (Cambridge, 2010). Jonathan Bate, The genius of Shakespeare (London and Basingstoke, 1997). Jonathan Bate, The soul of the age: the existence, brain and international of William Shakespeare (London, 2008). Jonathan Bate and Dora Thornton, Shakespeare: staging the realm (London, 2012). John D. Cox and David Scott Kastan (eds. ), a brand new historical past of early English drama (New York 1997). Gregory Doran, The Shakespeare almanac (London, 2009). Stuart Gillespie, Shakespeare’s books: a dictionary of Shakespeare’s resources (London, 2001). Frank Kermode, Shakespeare’s Language (London, 2000). Frederick Kiefer, Shakespeare’s visible theatre: staging the personified characters (Cambridge, 2003). Charles Nicholl, The Lodger: Shakespeare on Silver road (London, 2008). James Shapiro, 1599: a 12 months within the lifetime of William Shakespeare (London, 2005). S. Shoenbaum, William Shakespeare: a documentary existence (New York and Oxford, 1987). Terence G. Schoone-Jongen, Shakespeare’s businesses: William Shakespeare’s early occupation and the performing businesses, 1577–1594 (Farnham, 2008). Tiffany Stern, records of functionality in early smooth England (Cambridge, 2009). Peter Thomson, Shakespeare’s theatre (London and manhattan, 1983). bankruptcy ONE England is going worldwide Peter Barber, ‘Was Elizabeth I attracted to maps? ’, Transactions of the Royal historic Society 14 (2004), 185–98. J. B. Hartley, ‘Silence and secrecy: the hidden schedule of cartography in early sleek Europe’, Imago Mundi forty (1988), 57–76. N. J. W. Thrower (ed. ), Sir Francis Drake and the recognized voyage, 1577–1580 (Berkeley/London, 1984). Catherine Delano Smith, ‘Map possession in sixteenth-century Cambridge: the proof of probate inventories’, Imago Mundi forty seven (1995), 67–93. bankruptcy Communion and judgment of right and wrong Eamon Duffy, ‘Bare ruined choirs: remembering Catholicism in Shakespeare’s England’, in Richard Dutton, Alison Findlay and Richard Wilson (eds. ), Theatre and faith: Lancastrian Shakespeare (Manchester, 2003), 40–57. Edgar I. Fripp, Shakespeare’s Stratford (London, 1928). Steven Marx, Shakespeare and the Bible (Oxford, 2000). J. R. Mulryne, ‘Professional gamers within the Guild corridor, Stratford-upon-Avon, 1568–1597’, Shakespeare Survey 60 (2007), 1–22.