By Ana María Garzón Mantilla
Paintings can reframe, rework, reenact or reconstruct fact. utilizing artwork initiatives which are
intervening in current social realities, this thesis strives to investigate how paintings can intrude
in the development of truth. The paintings works selected are various stories that pass
from participatory environments to video installations. Francis Alÿs, Jeremy Deller,
Omer speedy, Thomas Hirschhorn, Pierre Huyghe, Vik Muniz, Walid Raad and Santiago
Sierra are utilizing assets that come from the industrial and political process, interventions
in the typical and latest ancient proof. The artistic endeavors are wondering the codes of
representation, the relation with the opposite, the development of reminiscence and the authority
of background. there's a everlasting stress among the creative representations and truth
itself; that is to assert, an enduring clash among the fiction and the true. This thesis
examines practices which are addressing social and ancient stipulations, on the way to
compare innovations and conflictive occasions that seem within the types utilized by the artists.
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Extra resources for The Fuzzy Line between Art and Life: Artistic Interferences in the Construction of Reality
Van der Pol, Bik, “Past Imperfect No. 1”, in existence, once again. varieties of Reenactment in modern artwork, ed. by way of Sven Lütticken. Rotterdam: Witte de With, heart for modern paintings, 2005. released together with the exhibition of a similar identify, proven at Witte de With, Rotterdam (January 27 - March 27, 2005). White, Hayden, “The price of Narrativity within the illustration of Reality”. In severe Inquiry, Vol. 7. Chicago: The college of Chicago, 1980. http://www. jstor. org/stable/1343174. Accessed 09/12/2012 White, Hayden, “Getting out of History”. In Diacritics, Vol. 12, No. three. Maryland: The Johns Hopkins collage, 1982. http://www. jstor. org/stable/464939. Accessed 09/12/2012 White, Hayden. “The Politics of historic Interpretation”. In serious Inquiry, Vol. nine, No. 1, The Politics of Interpretation. Chicago: The collage of Chicago Press, 1982. http://www. jstor. org/stable/1343276.